EDIT: Not looking for testers at mo sorry, will update or delete as appropriate down the line
Detects a real time frequency image of your sidechain signal(s) then auto ducks (or boosts) the same frequency content from your main signal also in real time.
Carving space for your chosen signal to breath and shine through your mix.
Not only takes out the guesswork and back and forth comparing of two spectrums but there's also no complicated automation needed because it auto adjusts dynamically so it doesn't leave permanent EQ cuts thus keeps the overall sonic balance intact.
Please add my discord if interested so we can chat during testing
https://discord.gg/Aus5ePn
A high spec computer with an ASIO driven interface is recommended for use with this.
Mine can boost as well as auto EQ so is effectively a vocoder too but mine can do a lot more than Trackspacer and other patcher clones of it in many regards.
Each preset in the final full pack will be chosen by you based on the scale and root of your track so it is much more musically minded and tailored than TSpacer.
Trackspacer can do a couple of things mine doesn't too, so they compliment well. Spacer can handle MS or LR which mine doesn't as CPU would be too high.
Mine is CPU heavy due to limitations of patcher, mine does not have the ability to have an animated display and mine does not have trackspacer's freeze feature.
Trackspacer uses only 32 set bands
Mine has different versions up to 56 bands depending on your musical scale, and can be greatly customised in intuitive ways on the fly. The way I've worked the bandwidth of each filter is also different, i have incorporated methodology of the harmonic series that most plugins do not consider.
The version for testing is for any scales that use ONLY WHITE NOTES so either a...
Major scale with a root note of C.
Dorian in a root of D.
Phrygian scale in a root of E.
Lydian in root of F.
Mixolydian in a root of G.
Natural minor (aeolian scale) in root A.
Locrian in a root of B.
They are examples of some of the standard 7 note scales and this test version uses up to 49 bands of correction.
My versions for 8 note scales can use up to 56 bands.
The full 84 band version covers all 12 notes but is ideally only recommended for experimentation, multi music scale tracks or extreme high end PCs.
Each preset can auto EQ the span of 7 octaves at any one point.
The bands of each preset are tuned to the notes of a particular set of scales and roots like mentioned aboved but that 7 octave range can be shifted via a single key to anywhere in between a further 3 octaves range thus covering the full 10 octaves of our audible spectrum and all whilst keeping every harmonic filter in it's relative musical place to each other.
The piano is an example of a 7 octave range instrument but most are less so seven octaves coverage is a great coverage amount.
Not only this but you get given the ability to enable/disable groups of bands in one click using the macros tab to EQ based on either octave range and or pitch class
As well as this you have the band matrix to apply geometric pattern concepts to your EQ processing.
As well as this you can solo listen to only what you are cutting or boosting to help you dial in your perfect amounts.
You also have the solo sidechain bandpass just like trackspacer does it.
I'm also experimenting with an automatic amount mode based on whatever channel you're EQing.